But as they shot, it transitioned into the traditional framing with simpler shots on a locked down tripod to show off the world and the set the best way.Īnother dilemma was finding that one person to portray the film through. In relation to the camera placement, Milloy initially envisioned it as more of the handheld style with movement within the cell.
The two different styles meshed well creating a beautiful film. On the flip, that was contrasted by a warmer, sunlight, orange template for outside of the cell, which was shot by Marty Mullin.
Nolte brought an interesting look making it very clean, sterile, and blue feel to it. Jason Nolte shot mostly everything in the cell. The film had two different Cinematographers attached to the project.
#Infinity chamber how to
Now that the set was completed, the question was how to make it visually cinematic on screen. The irony is that it took a year to build the set, however had to be torn down within 18 hours. Luckily, he had Production Designer, Tom Duffield ( Hell or High Water, Lone Survivor, Patriots Day) nearby to offer advice and suggestions. It took a year to build the automated prison cell set, as he basically built that entire world by himself with one power drill and 5,000 metal screws to make it look real. Obviously, many complications exist for creating a futuristic automated prison cell. This unconventional method worked hand in hand and inspired Milloy with the script that same night. There was a high probability that the film would be in development forever so, he acted by forcing himself into a corner renting a space in an industrial area and building the set, while simultaneously completing the script.
Infinity Chamber was a personal project that took about 7-8 years in the process, which came about from a news report on automated prisons. From the writer of the 2009 hit Pandorum comes Travis Milloy’s latest Sci-Fri Thriller entitled Infinity Chamber. High Concept ideas sound very exhilarating, but are no easy task.
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